|
EMILY PRATT SLATIN | About | Press Kit | Gallery | Notebook | Music Playlist | ![]() She/Her/Hers Lesbian |
Retired Career Fire and EMS Lieutenant-Specialist, Writer, and Master Photographer, living in Vermont.
May 1, 2026—Stamford, New York (Mom's House)
This morning began with a bureaucratic nightmare, which is a phrase I do not use lightly. Trying to contact companies after your mother dies—to explain, again and again, that she is gone, that she left you the house, that you are now the responsible party, that no, you are not calling as a random stranger, and yes, you have the documents, and yes, the estate exists, and yes, the name on the account is no longer available to confirm anything because dead people are famously bad at answering customer service security questions—is possibly the most unnecessarily complicated thing I have had to do since Mom's passing.
I spent all morning and part of the afternoon on the phone, moving from one hold queue to another, listening to cheerful recorded voices tell me how important my call was while proving, with impressive consistency, that it absolutely was not.
There is a particular insult in being asked to repeat the same grief-shaped sentence to strangers who are reading from a screen and asking questions that no longer belong to the living.
My mother died. She left me the house. I am responsible now. No, I cannot have her answer the phone. No, I cannot "put her on for verification." No, there is not a better time to call back. This is the better time. This is the time I have.
By eleven o'clock, I had reached the point where my brain had started to reject language as a reasonable tool for human communication. So I walked across the street to TP's Cafe, the restaurant I have been getting lunch at since they opened in 1994. I went to school with one of the owners. That detail matters here. In a town like this, history is never fully gone; it just gets older, changes hands, and pretends not to recognize itself when it passes you on the sidewalk.
I ordered my usual, which is the same exact thing I have ordered every single time for lunch for the past thirty-two years, with the kind of consistency that should probably be studied by people who think human behavior is unpredictable: bacon cheeseburger deluxe, French fries, Pepsi. Nothing complicated. No mystery. A clean, reliable meal from a place that has somehow survived the years better than most people I knew.
They came to my table with the burger I ordered, but they had accidentally served me potato chips.
Everyone knows I do not like potato chips. This is not a preference hidden in the fine print of my personality. This is not some newly developed quirk requiring local adaptation. I asked for French fries, and they immediately apologized and made it right, which is exactly how a small-town correction should work.
Just an error, an apology, and the correct food arriving shortly afterward.
After lunch, I had to replace a door lock on the back of Mom's house. Of course the screws provided with the new lock were the wrong ones, because apparently even door hardware has decided to participate in the general administrative hostility of my life.
So naturally, I walked back across the street to the hardware store, the same one where I have been shopping since my parents bought the house in 1986. Same aisles. Same practical smell of metal, dust, paint, keys, and old wood. Same kind of place where nothing should surprise me anymore, and yet somehow still does.
They called me sir. The same people whose store I grew up around. The same people who have known me as Emily, or at least should have by now. The same town where some version of me has existed in public record, rumor, memory, and inconvenience for forty years.
I stood there for a moment and let the word land. Not because it was new, exactly, but because it carried the old weight—the specific kind that comes from being misread by people who were present for the original story and still managed to retain the wrong version.
I told them I was actually born a girl, and that whatever my father had told them over the years to the contrary was his own reality, and that I had lived my entire life as such.
I said it plainly. Not angrily. Not softly. Just factually, because facts do not become less true simply because someone was trained to prefer a different story.
My father had a gift for exporting his distortions into other people's mouths. Even now, years after his death, I still occasionally run into his version of me standing upright in public, wearing someone else's voice.
It is an odd thing, correcting a dead man through the living. You think grief is the thing that lingers, but sometimes it is the paperwork of abuse—the names, the assumptions, the way a town can inherit someone else's lie and treat it like local history.
They gave me the correct screws. I took them back to the house. The lock works now.
There is something almost insulting about how simple repair can be when the problem is mechanical. Wrong screws, right screws. Misalignment, adjustment. Deadbolt, strike plate, tension, function. A door either locks or it does not. A person either tells the truth or they do not.
Today felt like I was a ghost visiting my old life. Not returning, exactly. Visiting. There is a difference. Returning implies continuity, some thread still waiting to be picked up where it was dropped. Visiting is more conditional. Temporary. You arrive, look around, notice what still stands, and understand that time kept moving without asking whether you were ready.
Almost nobody knows me here anymore, aside from a select few people who still remember me from decades ago. People go about their daily lives. They carry grocery bags, cross streets, sit in parked cars, check their phones, walk dogs that have no idea who I used to be.
I pass people on the sidewalk and say hello as we move past one another, and their faces are unfamiliar. Not unfriendly. Just unfamiliar. That might be worse in some ways. Hostility at least gives you a defined edge. Unfamiliarity is blank. It does not know what it has failed to remember.
I kept thinking about how strange it is to be known by a place and forgotten by its people. The slope of the street, the old storefronts, the distance between Mom's house and the places I used to wander—all of it remains in my body with more accuracy than most human memory. But the town itself has been repopulated by strangers wearing the same afternoon light. It is like walking through a photograph after everyone in it has been replaced.
Later, I walked down to the other side of town to get dinner at The Dinner Plate—chicken wings, French fries, and another Pepsi, because apparently today required repetition, and fried food in order to remain survivable. The owner was so accustomed to me going to dinner there almost every weekend while I was still living in the area that he asked me how mom was. I said that mom had died in October of last year.
I could not help but notice how many things had changed along the way. The houses where my friends used to live have all been sold to different families. Different cars in the driveways. Different curtains in the windows. Different lives moving through rooms where I once knew the sounds, the smells, the parents, the dogs, the strange little rules of each household.
The places I knew and loved, the places I thought would simply remain because childhood has no real concept of economic turnover, have been replaced with new storefronts. O'Connor's Pharmacy is gone. That still feels impossible to me in the way certain ordinary losses feel more offensive than the dramatic ones.
A pharmacy is not supposed to become memory. It is supposed to stay there, stocked with cough syrup, birthday cards, rolls of film, and the quiet dignity of things that do not need reinvention. The pharmacy I remember would allow you to be a few dollars short and they would trust you to remember that you owed it next time you came in. But it is gone, because everything eventually goes, even the places that once felt like infrastructure.
It seems that everyone I knew left, and those who stayed had reason to. That sentence stayed with me all through dinner. Everyone I knew left. Those who stayed had reason to. I left for a while, though "a while" seems too small a phrase for the distance involved. I left because I had to, because survival required it, because staying under my father's version of reality would have meant disappearing in a way I could not allow.
I left, built a life, crossed towns, crossed states, and crossed versions of myself I did not yet understand. I became someone the younger version of me might have stared at in disbelief. Successful, yes. Skilled, yes. Scarred, certainly. But alive. Fully, stubbornly, inconveniently alive. I did not know I was lost. And yet I never forgot where I came from.
When I was a young girl, I told Mom that one day I would make it in life. I would be successful. I said it with the certainty children have before the world tries to teach us how unpredictable certainty can become. I did not know what success meant then. I did not imagine grief, estate calls, or standing at the hardware store counter correcting a lie my father left behind like unpaid debt.
I told Mom that one day, when it was time, I would return. I did not know when. I returned, but not as the girl who left. I returned as the woman who survived leaving.
|
Copyright © 1998-2026 Emily Pratt Slatin. All Rights Reserved. About | Archives | EMD Codes | Notebook | Press Kit | RSS Feed | Sitemap Made with grit in Middletown Springs, Vermont. |